Married in Berdichev: “Light Comes”.

20 Mar 2012 — Jesse Thompson
Here's a beautiful new track from Married in Berdichev, the solo project of Denver, Colorado musician and visual artist Brittany Gould, titled "Light Comes". Sparse, ethereal vocals and dream-inducing sample patterns pair up with minimal layers of synth and field recordings (courtesy of Andrew Warner and Katherine Peterson), forming a track that builds to a point of delicate revelation. In keeping with the title's subject, the song's composition possesses a quality that is both constant and fleeting, fitting for half-sleeping through a dingy windowed sunrise. Read more → Here's a beautiful new track from Married in Berdichev, the solo project of Denver, Colorado musician and visual artist Brittany Gould, titled "Light Comes". Sparse, ethereal vocals and dream-inducing sample patterns pair up with minimal layers of synth and field recordings (courtesy of Andrew Warner and Katherine Peterson), forming a track that builds to a point of delicate revelation. In keeping with the title's subject, the song's composition possesses a quality that is both constant and fleeting, fitting for half-sleeping through a dingy windowed sunrise.

Premiere: Thulebasen - “Forever Grinning (Eric Copeland Remix)”.

19 Mar 2012 — Henning Lahmann
As mentioned before, Copenhagen outfit Thulebasen, introduced on this publication a couple of months ago when they were in town to play for our friends at Noisekölln, is part of the city's noisy scene around the Escho label alongside thoroughly hyped Iceage and others. Thulebasen's forthcoming single "Forever Grinning" is another killer track, straightforward, noise-infused that is as surprising as it is satisfying. It was written after Copenhagen's Staten Museum for Kunst (National Museum of Art) had contacted the band last October, asking them to create a song for one of the paintings from their collection of 19th century Danish fine arts. Thulebasen picked Jørgen Valentin Sonne's 1847 work ”Midsummer’s Eve. Sick People Asleep upon the Grave of St Helena at Tisvilde” (see above, courtesy of SMK), which depicts a group of sick people who have gone on a pilgrimage to spend Midsummer’s Eve on the grave of Saint Helena in Tisvilde, hoping to be cured by the saint. In the words of band member Nis Bysted, "The painting almost shines with the colors used. At the same time there is something dark and magic about it. Such a beautiful and multi-messaging way of expressing oneself is something the band are truly inspired by." While you might have heard the original already somewhere else, here's one of the five remixes to be found on the vinyl (including contributions by Hhappiness and Lucky Dragons), the deliciously off-kilter and pretty insane version by Black Dice mastermind Eric Copeland (whose excellent Waco Taco Combo was also released by Escho last year), a superbly deranged, heavily filtered and noisy extravaganza. The Forever Grinning limited edition 12 inch will be released conjointly by Danish label Tambourhinoceros and Oslo-based imprint Splendour on March 26. Pre-order now here or here. Listen to the original as well: Read more → As mentioned before, Copenhagen outfit Thulebasen, introduced on this publication a couple of months ago when they were in town to play for our friends at Noisekölln, is part of the city's noisy scene around the Escho label alongside thoroughly hyped Iceage and others. Thulebasen's forthcoming single "Forever Grinning" is another killer track, straightforward, noise-infused that is as surprising as it is satisfying. It was written after Copenhagen's Staten Museum for Kunst (National Museum of Art) had contacted the band last October, asking them to create a song for one of the paintings from their collection of 19th century Danish fine arts. Thulebasen picked Jørgen Valentin Sonne's 1847 work ”Midsummer’s Eve. Sick People Asleep upon the Grave of St Helena at Tisvilde” (see above, courtesy of SMK), which depicts a group of sick people who have gone on a pilgrimage to spend Midsummer’s Eve on the grave of Saint Helena in Tisvilde, hoping to be cured by the saint. In the words of band member Nis Bysted, "The painting almost shines with the colors used. At the same time there is something dark and magic about it. Such a beautiful and multi-messaging way of expressing oneself is something the band are truly inspired by." While you might have heard the original already somewhere else, here's one of the five remixes to be found on the vinyl (including contributions by Hhappiness and Lucky Dragons), the deliciously off-kilter and pretty insane version by Black Dice mastermind Eric Copeland (whose excellent Waco Taco Combo was also released by Escho last year), a superbly deranged, heavily filtered and noisy extravaganza. The Forever Grinning limited edition 12 inch will be released conjointly by Danish label Tambourhinoceros and Oslo-based imprint Splendour on March 26. Pre-order now here or here. Listen to the original as well:

.message: “Stop / Under the Gun”.

16 Mar 2012 — Henning Lahmann
Pretty incredible tunes by Athens, Greece duo .message, who sent over these two tracks that were recorded for the Greek web magazine OUGH. Excellent stuff indeed, slow and intricate textures that lean in equal measures towards British bass music and more Teutonic techno patterns, rather constrained or if you wish minimal, plus some subtle yet intriguing inspirations taken from Greek traditional music. I'm already hooked, hope to hear more from these guys soon. Read more → Pretty incredible tunes by Athens, Greece duo .message, who sent over these two tracks that were recorded for the Greek web magazine OUGH. Excellent stuff indeed, slow and intricate textures that lean in equal measures towards British bass music and more Teutonic techno patterns, rather constrained or if you wish minimal, plus some subtle yet intriguing inspirations taken from Greek traditional music. I'm already hooked, hope to hear more from these guys soon.

AyGeeTee: “Can’t Keep My Eyes”.

16 Mar 2012 — Henning Lahmann
Brand new, mellow but massive AyGeeTee jam that dropped into my inbox last night, an expansive and sprawling tune that has our favorite London enigma continuing to explore ever new sonic realms. "Can't Keep My Eyes" really is something to just deeply sink into for the course of its ten delightfully mesmerizing minutes, again constructed utilizing layer over layer that add up to one homogenous soundscape yet reveal countless details if you're willing to take a closer listen. Marvelous. Read more → Brand new, mellow but massive AyGeeTee jam that dropped into my inbox last night, an expansive and sprawling tune that has our favorite London enigma continuing to explore ever new sonic realms. "Can't Keep My Eyes" really is something to just deeply sink into for the course of its ten delightfully mesmerizing minutes, again constructed utilizing layer over layer that add up to one homogenous soundscape yet reveal countless details if you're willing to take a closer listen. Marvelous.

Video: Cankun - “Collages”.

16 Mar 2012 — Henning Lahmann
Soon, French experimental project Cankun, one of the recording guises of Vincent Caylet, will drop Isalo Waterfall, another collection of tropics-infused deranged psych bangers after last year's immensely captivating Ethiopian Dreams on Hands In The Dark. You've already heard "Too Many Clouds" in December, and now here's the brand new video for another track off the EP, "Collages", made by Behind the Walk-in using footage of the 1984 documentary Style Wars. The Isalo Waterfall EP is out soon via Not Not Fun. (via) Previously: Read more → Soon, French experimental project Cankun, one of the recording guises of Vincent Caylet, will drop Isalo Waterfall, another collection of tropics-infused deranged psych bangers after last year's immensely captivating Ethiopian Dreams on Hands In The Dark. You've already heard "Too Many Clouds" in December, and now here's the brand new video for another track off the EP, "Collages", made by Behind the Walk-in using footage of the 1984 documentary Style Wars. The Isalo Waterfall EP is out soon via Not Not Fun. (via) Previously:

Honeydrum: “Stranger Calls”.

16 Mar 2012 — Jesse Thompson
While trying to piece together some words to describe the music of the New Brunswick, New Jersey "food court-core" pop band Honeydrum, I couldn't seem to string together anything as oddly poetic as what their current label, AMDISCS, wrote to describe the origins of their sound: "[it rides] under layers of coconut-colored zinc and drift[s] along the bubbly, wet walls of Jerzzy's (new) hypnogogic sea." Listen to "Stranger Calls", the A-side off of their upcoming 7" release, and you'll probably get a better idea of what that means. Of course, you can draw a quick and fitting style comparison to the lo-fi catchiness of some of Ariel Pink's hookiest tunes, but in listening to more of Honeydrum's music, I think they're embracing the aesthetics and musical affinities that they share with the L.A. lo-fi pop icon and turning them into something of their own. Check out their enjoyable AM radio styled jingle "Let's Make A Holiday" and speculate for yourself. AMDISCS is currently putting together a four song combo package of a 7" and CD titled "Do u Party" that should be available in six weeks. Honeydrum - Stranger Calls Read more → While trying to piece together some words to describe the music of the New Brunswick, New Jersey "food court-core" pop band Honeydrum, I couldn't seem to string together anything as oddly poetic as what their current label, AMDISCS, wrote to describe the origins of their sound: "[it rides] under layers of coconut-colored zinc and drift[s] along the bubbly, wet walls of Jerzzy's (new) hypnogogic sea." Listen to "Stranger Calls", the A-side off of their upcoming 7" release, and you'll probably get a better idea of what that means. Of course, you can draw a quick and fitting style comparison to the lo-fi catchiness of some of Ariel Pink's hookiest tunes, but in listening to more of Honeydrum's music, I think they're embracing the aesthetics and musical affinities that they share with the L.A. lo-fi pop icon and turning them into something of their own. Check out their enjoyable AM radio styled jingle "Let's Make A Holiday" and speculate for yourself. AMDISCS is currently putting together a four song combo package of a 7" and CD titled "Do u Party" that should be available in six weeks. Honeydrum - Stranger Calls

Paco Sala: “Gifts of the Bloom”.

15 Mar 2012 — Henning Lahmann
This gem was dropped into my inbox almost a month ago and I'm not quite sure how I managed to ignore it for so long. "Gifts of the Bloom" is the first single from Ro-me-ro, Paco Sala's forthcoming LP on Digitalis. Paco Sala is the side project by Konntinent's Antony Harrison, who was recently joined by vocalist Leyli. The result of this encounter is a truly marvelous affair, a restrained yet lush pop tune that starts out slowly and almost carefully until Harrison's looped instrumentation and Leyli's multiply layered, crystal-clear vocals intermingle, lift off and eventually vanish into ethereal, otherworldly spheres. In related news, Harrison seems to be an utterly busy man these days, as apart from the above and furthermore this, British imprint Hibernate will release another Konntinent full-length on March 30, named Kiruna, and if we can trust what "Hayashi Drag Track" hints at, and we'd think so, then splendor just won't stop. Sublime synth vibes that build an enormously mesmerizing, gently meandering wall of sound, a deeply satisfying ambient exercise by a truly great artist. Highly recommended. Read more → This gem was dropped into my inbox almost a month ago and I'm not quite sure how I managed to ignore it for so long. "Gifts of the Bloom" is the first single from Ro-me-ro, Paco Sala's forthcoming LP on Digitalis. Paco Sala is the side project by Konntinent's Antony Harrison, who was recently joined by vocalist Leyli. The result of this encounter is a truly marvelous affair, a restrained yet lush pop tune that starts out slowly and almost carefully until Harrison's looped instrumentation and Leyli's multiply layered, crystal-clear vocals intermingle, lift off and eventually vanish into ethereal, otherworldly spheres. In related news, Harrison seems to be an utterly busy man these days, as apart from the above and furthermore this, British imprint Hibernate will release another Konntinent full-length on March 30, named Kiruna, and if we can trust what "Hayashi Drag Track" hints at, and we'd think so, then splendor just won't stop. Sublime synth vibes that build an enormously mesmerizing, gently meandering wall of sound, a deeply satisfying ambient exercise by a truly great artist. Highly recommended.

Kelpe: “I Felt Fuzzy”.

15 Mar 2012 — Henning Lahmann
Very decent, sample-heavy beats all the way from Anglia by this fine fella named Kelpe, whose "I Felt Fuzzy" is the right way to end this working day with his delightful production somewhere between Avalanches (as Abeano notes) and Brainfeeder's roster (as the label suggests) and, well, yeah, why not, we'll just go on enjoying this groove for a bit longer. Kelpe's I Felt Fuzzy EP will be released April 16 via Svetlana Industries. Read more → Very decent, sample-heavy beats all the way from Anglia by this fine fella named Kelpe, whose "I Felt Fuzzy" is the right way to end this working day with his delightful production somewhere between Avalanches (as Abeano notes) and Brainfeeder's roster (as the label suggests) and, well, yeah, why not, we'll just go on enjoying this groove for a bit longer. Kelpe's I Felt Fuzzy EP will be released April 16 via Svetlana Industries.
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